HYDERABAD: The rich and vibrant tradition of depicting texts and scriptures that has characterized the Indian lifestyle since the 7th century finds new expression in the exquisite works of artist R Giridhar Goud. Goud, who revived the ancient Indian style of miniature painting with mastery and finesse, drew inspiration from the tradition of Vijayanagara painting and used vibrant colors and intricate lines to create various expressions of ‘Shiva and Shakti’. It is currently on display at Karakriti’s art gallery.
Giridhar Goud’s artistic journey is deeply influenced by the study of ancient texts such as Dakshinatya Natyakara Charitra by Nataraja Ramakrishna and Rupa Dhyana Ratnavali by Devadaya Dharmadaya Saha. Through these scriptures, he provides a deep analysis of the diverse incarnations and forms of Shiva and Parvati, shows the interconnectedness of the universe, and depicts the divine couple in subtle detail.
The artist’s intellectual engagement with the Puranas is evident in his work, reflecting a deep understanding of the underlying philosophy conveyed through the various divine incarnations. When asked about the inspiration behind his concept, he referred to the shloka of Adi Shankaracharya’s Soundarya Lahari and emphasized the inseparable relationship between Shiva and Shakti.
Goud says, “All my paintings are inspired by the above-mentioned concepts like the cosmic dance of Lord Shiva i.e. different forms of Tandava Natyam and different forms of Tandava based on different scenes. ” he explains.
Of the 32 paintings on display at the exhibition, seven depict tandava and nine depict Navdurga swarap based on the principles outlined in the Dhyana Shloka. The Shakti series includes depictions of various goddesses, including the rose-she-tripurasundaridevi, Gayatridevi, and Annapurnadevi.
What is interesting about Goud’s paintings is that he incorporates flora and fauna, adding depth to his depictions of divinity. The use of natural colors and handmade paper further enhances the traditional aspects of Gowd’s paintings, evoking a sense of tranquility in the viewer.
When asked about the choice of materials, Goud explains: “These are the mediums used in ancient Indian miniature painting, and I wanted to bring that back. I also make my own colors and source my handmade paper from elsewhere.”
Overall, Goud’s exhibition is a testament to his deep understanding of scripture, mythology, and philosophy, beautifully expressed through color, line, and imagination. The exhibition, on view until May 1, welcomes art lovers to immerse themselves in the spiritual insights depicted in Giridhar Goud’s works.
